Solo Exhibitions
| 2007 |
Cartoon Power Plant Contemporary
Art Gallery Toronto |
| |
A deer in the
headlights remix Platform Gallery Seattle |
| 2006 |
Forecast, JB Gallery Hart House
U of T, Toronto |
| |
Stephen Andrews, Commons Gallery UH Honolulu
HI |
| |
A small part of
something larger, Dunlop
Art Gallery Regina, Toronto, Levine Gallery, LA |
| |
A deer in the headlights, Akau Gallery,
Toronto |
| 2005 |
- POV, Paul Petro Contemporary Art, Toronto
- Between before and after, Platform Gallery, Seattle WA
- Dramatis Personae, Alliance Francaise, Toronto
|
| 2004 |
- The 1st part of the 2nd half, Participant Inc. New York
- Stephen Andrews, Cue Art Foundation, New York
|
| 2003 |
- jpeg, Paul Petro Contemporary
Art, Toronto
- The 1st part of the 2nd half, Nuova Icona, Venice; Canadian
Cultural Centre, Paris
|
| 2002 |
- Team, Paul Petro Contemporary
Art, Toronto; Zsa Zsa, Toronto
- The 1st part of the 2nd half, Dazibao, Montreal
|
| 2001 |
- CMYK and more
work from Album Paul Petro Contemporary
Art, Toronto
- Likeness, Helen and Morris Belkin Gallery, UBC, Vancouver;
Art Gallery of Windsor
|
| 2000 |
- Drawings, Gallery Stratford, Stratford Ontario
|
| 1999 |
- hoi polloi, Justina Barnicke Gallery, University of Toronto,
- Excerpts from Sonnets, Paul Petro Contemporary Art, Toronto
|
| 1998 |
- hoi polloi, Lombard Freid Fine Art, New York
- Three Hundred and Sixty Five Pictures, Mount St Vincent,
Halifax
|
| 1997 |
- The Weather, Lombard Freid Fine Art, New York
|
| 1996 |
- Three Hundred and Sixty Five Pictures, TPW , Toronto
- Ghosts, Arcus Project, Moriya Japan
|
| 1995 |
- Personals, Project Room, Lombard Freid Fine Art , New
York
|
| 1994 |
- SAFE, W139, Amsterdam, Holland
|
| 1993 |
- Facsimile, White Room Project, White Columns, New York
- SAFE, Garnet Press Gallery, Toronto. Open Studio,Toronto
- The Fruit Machine, University of Winnepeg, Winnepeg,
|
| 1992 |
- Facsimile, Oakville Galleries, Oakville. Macdonald Stewart
Art Centre,
- Singing The Body Ephemeral, with Andy Fabo, Canadian
Cultural Services, Paris
- Corporeal Knowledge, with Shelagh Keeley, Charles H.
Scott Gallery, Vancouver
|
| 1990 |
- The Sins Of The Fathers, Garnet Press Gallery
- Drawings, Laurentian Museum and Gallery, Sudbury
|
| 1989 |
- X.87-VIII.89, London Regional Art Gallery, London, Ontario.
|
| 1988 |
- Drawings, Grunt Vancouver. Garnet Press Gallery, Toronto.
|
| 1987 |
- Drum Suite, Garnet Press Gallery, Toronto.
|
| 1986 |
- New Drawings, Garnet Press Gallery, Toronto
|
| 1984 |
- Fish Stories From The Crypt, Garnet Press Gallery, Toronto
|
Selected Group Exhibitions
| 2008 |
XI.93 - VIII.94 with Shelagh Keeley, Paul Petro Contemporary Art,
Toronto |
| 2007 |
Biennale de Montreal |
| 2006 |
Gifts go one way, Apex Gallery New York
This ain't no fooling around. Rubicon Gallery, Dublin Ireland
Andrews and Blanchon Kendall Art Gallery Miami
Out of the Blue, Abingtion Art Center, Jenkintown PA |
| 2005 |
|
| 2004 |
- Just My Imagination, Museum London
|
| 2003 |
- Sign and Sound, Seoul Museum of Art, Seoul, Korea
|
| 2002 |
- Legion, Paul Petro Contemporary
Art, Toronto
- Think Canada, Delhi, Chennai, Mumbai, India
|
| 2001 |
- Crowds, Hunter College, New York
- Subject Plural, CAM, Houston
|
| 2000 |
- Recollection Project, Japanese Canadian Cultural Centre,
Toronto
- Loaded, Angell Gallery, Toronto
- Real Man, Paul Petro Contemporary
Art, Toronto
- Dust on the Road, Harbour Front Gallery, Toronto
|
| 1999 |
- Skinjobs, Mount St Vincent, Halifax
- Landtakes, Edward Day Gallery, Toronto
|
| 1998 |
- Ground Control, Lombard Freid Fine Art, New York
- Residing in the Floating World, Oakville Galleries, Oakville
On.
|
| 1997 |
- Refigured Histories/Remembered Pasts, Saidye Bronfman
Centre, Montreal
- How Do I Look?, Art Gallery of North York, Toronto.
- Survey Results Show, National Gallery of Canada, Ottawa.
- Rococco Tattoo, The Power Plant, Toronto
- Love, Love, Love, TPW, Toronto.
- Dictons, Maxims et Proverbes, Galerie Christiane Chassay,
Montreal.
|
| 1996 |
- Reflections Of The Soul, Art Gallery of North York, Toronto.
|
| 1995 |
- Foto Feis, Glasgow, Scotland.
- On The Surface Of Things, Paul Petro Contemporary Art,
Toronto
- Saving Face, Art Gallery of Mississauga, Mississauga.
- Fagosites, University of Illinois, Chicago.
- Autobiography, North Dakota Museum of Art, Grand Forks,
N.D.
|
| 1994 |
- Hidden Values, McMichael Collection, Kleinburg.
- Future Traditions In Canadian Art, Art Gallery of North
York, Toronto.
- Dark O'Clock, Museu De L'Arte Moderne, Sao Paulo, Brazil.
Plug In, Winnepeg
- In Number, Glendon College, York University, Toronto.
- Je Crois Que Le Vent Les A Otes, Canadian Cultural Services,
Paris
- Centre St. Vincent, Herblay, France
|
| 1993 |
- Update '93, White Columns, New York.
- Le Mois De La Photo, Centre Culturel Cote de Neiges,
Montreal.
- Tele-Aesthetics, Bard College, New York. curator Sandra
Antelo-Suarez
|
| 1992 |
- Rethinking History, Mercer Union, Toronto.
|
| 1991 |
- Volumes, Red Head Gallery, Toronto.
|
| 1989 |
- Drawn From Drawn Upon, Art Gallery of York University,
Toronto.
- Homogenius 1, Mercer Union, Toronto.
|
| 1987 |
- Young Contemporaries, London Regional Art Gallery, London,
Ontario.
|
| 1985 |
- Fire And Ice, Galerie Walcheturm, Zurich.
|
| 1984 |
- Expron, Caserne des Pompiers, Montreal.
|
| 1983 |
- Chromaliving, The Colonnade, Toronto.
|
| 1982 |
- O Kromazone, Institut Unzeit, Berlin.
|
Selected Reviews
| 2007 |
Canadian Art, Winter, Picture Maker, Alexander Nagel |
| 2006 |
Trinidad and Tobago Express, Feb 19, Kayode James |
| 2005 |
- Houston Press,Feb 17-23 K Plocek
Canadian Art, Spring , Lorissa Sengara, p 78
C Magazine, Summer,Joe Wolin, p 46
Art News, January, Reena Jana, p 126
Xtra, S Rogersom, p23
Contemporary #70, Matthew Biro
|
| 2003 |
|
| 2002 |
- Le Devoir, Etats Passagers, Jean-Claude Rochefort, p. E9
- Toronto Star, Art by Numbers, Susan Walker
- Lola, Summer, Jessie Caryl, p.68
|
| 2001 |
- Globe and Mail, July 14, Sarah Milroy
- Detroit Free Press, Artists Represent...6.08.013G, Keri Guten Cohen
- Room, Artist Creates..., 08.01, p.14, TK
|
| 2000 |
- Lola, Summer 2000, Marie Larson
- Canadian Art, Spring 00 vol. 17 #1, Tom Folland
- Globe and Mail, Oct. 16, Gary Michael Dault
- Xtra, Oct, Kim Fullerton
|
| 1999 |
- Parachute, Winter 99, Tom Folland
|
| 1997 |
- Canadian Art, Winter 97, p. 32, Deborah Esch
- Poliester, Summer 97, p. 56, Bill Arning
- Art News June, p. 128, Alexander Nagel
- Art and Text #58 August, p.81, Deborah Esch
- Fuse Magazine #20, p. 32-33, Artist Project
|
| 1996 |
- Parachute #83, p. 49, Robert W.G. Lee
- Mix Magazine Summer 96, p. 55 Artist Text
|
| 1995 |
- Border Crossings Summer, Deep Down Surfacing, Simon Herbert
|
| 1994 |
- Canadian Art Sprint 94 Vol. II, p.73, Betty Ann Jordan
|
| 1993 |
- Art Press 186 International Edition, p.28-30, Photographie, Regis
Durand
|
Catalogues and Brochures
| 2006 |
Based on a true Story, S Andrews, Cultural Politics Vol 2 Issue 3 p
381 |
| 2005 |
Subtitles,edited by Atom Egoyan and Ian Balfour, Alphabet City #9 |
| 2004 |
- Stephen Andrews, Cue Art Foundation, Atom Egoyan
|
| 2003 |
- MosaiCanada: Sign and Sound, Wayne Baerwaldt, Keunhye Lim, Seoul Museum
of Art
|
| 2002 |
- Lost in the Archives, Edited by Rebecca Comay, Alphabet City #7
|
| 2001 |
- Likeness, Annette Hurtig, Scott Watson, University of British Columbia
|
| 1999 |
- Canadian Art in the Twentieth Century, Joan Murray, Dundurn
- Three Hundred and Sixty Five Pictures, TPW, catalogue essay Cheryl
Sourkes
|
| 1997 |
- Survey Results Show, National Gallery of Canada, essay Janice Saleem
- Autobiography, North Dakota Museum of Art, essay Laurel Reuter
|
| 1996 |
- Notebook Project, Contemporary Art Gallery
- Three Hundred Sixty Five Pictures, TPW, brochure essay, Cheryl
Sourkes
- Arcus Project 95, Interactive Intercultural Residence in the Arts,
Ibaraki, Japan
|
| 1994 |
- In Number, Glendon Gallery, York University
- Je Crois Que Le Vent Les A Otes, Les Cahiers des Regards, Centre
d'Art d'Herblay, essays Jean-Pierre Rehm and Michelle Theriault
- Dark O'Clock, Plug In Editions, essays Wayne Baerwaldt and Deborah
Esch
|
| 1992 |
- Facsimile, Oakville Galleries, essay Deborah Esch
- Corporeal Knowledge, Charles H Scott Gallery, essay Greg Bellerby
- Rethinking History, Mercer Union, essay Carol Podedworny
|
| 1991 |
- Hymne au Corps Ephemerel, Services Culturelles, essay Annette Hurtig
|
| 1989 |
- Drawn From Drawn Upon, Art Gallery of York University essay Loretta
Yarlow
- X.87-VIII89, London Regional Art Gallery, essay Bruce Russell
|
| 1988 |
- Positions, Southern Alberta Art Gallery, essay, Robert Windrum
|
| 1987 |
- Young Contemporaries, London Life, essay Marnie Fleming
|
| 1985 |
- Fire And Ice, Chromazone, essay William Wood
|
| 1984 |
- Desire, Chromazone, essay Andy Fabo
|
| 1983 |
- Chromaliving, Chromazone, essay Jennifer Oille
- Trois Artistes De Toronto, Articule, essay Bruce Russell
|
